What is the Rapaport team reading? Our editors and reporters sat down to pick content from around the web that’s helped expand their knowledge of the diamond and jewelry industry this week.
Gidon’s Selection: NMDC Resumes Operations at India’s Only Mechanized Diamond Mines in Panna (Business Line)
“What makes this news item interesting is that it dives into the technical aspects of mechanized diamond mining. The resumption of operations at India’s only such project will eventually lead to the production of an estimated 40,000 carats a year.”
Gidon Ben-Zvi
Digital Content ManagerJoshua’s Selection: Winchcombe Meteorite Fragments Made into Jewelry (BBC)
“In most countries, including the UK, meteorites that fall on private land belong to the property owner. That’s lucky for this family in western England, which managed to turn a 4.6-billion-year-old rock into cufflinks with the help of local jeweler Helen Plumb.”
Joshua Freedman
Senior AnalystLeah’s Selection: The Mind-Bending Work of Jeweler Adam Neeley Is Getting Its Own Exhibition
(Robb Report)
“For someone who writes about jewelry, gemstones and diamonds all day, it’s sometimes easy to be blasé about their beauty. However, Adam Neely’s jewels always turn my head. His balance of color and design, glamour and art combine to make some of the most spectacular pieces I have seen. This piece is an ode to his work and a look at the upcoming museum exhibition dedicated to his achievements.”
Leah Meirovich
News EditorVanina’s Selection: Tiffany & Co. Debuts ‘With Love, Since 1837’ Campaign (National Jeweler)
“In our podcast episode last week, Rapaport Editor in Chief Sonia Esther Soltani and Rachael Taylor discussed whether celebrities are good enough at marketing jewelry, and this article brought that conversation back to my mind. It looks like Tiffany & Co. has discovered that the jewelry itself should be the protagonist. Its latest campaign employs impactful photography and simplicity to highlight its collections.”
Vanina Pikholc
Podcast and Video ProducerMain image designed by David Polak.
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